The Pinner Association
– The Voice of our Community
At our next talk is the story of a family of local builders. Stephen, Joseph, and Charles Woodbridge moved to Harrow and Pinner shortly after 1800 and were soon building small wooden cottages. Charles, in Pinner, became so successful that his son Jason acquired one of its grandest houses, Pinner House. Susan will talk…
Speaker - Simon Morgan Visitors are very welcome (suggested donation £3). Pinner Local History Society begins 2024 with an intriguing talk by Simon Morgan, ‘2000 years of Traffic Signs’. Simon chairs the Ruislip Local History Society and is chair of the BSI committee that is responsible for traffic signs. He was asked by the Department…
Title - Pinner’s Place in Metroland". Speaker - PLHS Research Group. Our Research Group will present new research into the origins, development and people that make up Pinner’s place in Metroland. Please come early as it will be popular and encourage your friends too (suggested donation of £3).
Ex
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…