With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…

With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…

With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…

With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…

With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…

With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…

With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…

With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…