The Pinner Association
– The Voice of our Community
Following the success of Uncle Lubin (1902), Heath Robinson was commissioned to illustrate The Works of Rabelais. These portray a bleak landscape largely peopled by grotesque peasants and priests whose lives are dominated by fear and superstition and who can find relief only in drunkenness and debauchery.
Following the success of Uncle Lubin (1902), Heath Robinson was commissioned to illustrate The Works of Rabelais. These portray a bleak landscape largely peopled by grotesque peasants and priests whose lives are dominated by fear and superstition and who can find relief only in drunkenness and debauchery.
Following the success of Uncle Lubin (1902), Heath Robinson was commissioned to illustrate The Works of Rabelais. These portray a bleak landscape largely peopled by grotesque peasants and priests whose lives are dominated by fear and superstition and who can find relief only in drunkenness and debauchery.
Following the success of Uncle Lubin (1902), Heath Robinson was commissioned to illustrate The Works of Rabelais. These portray a bleak landscape largely peopled by grotesque peasants and priests whose lives are dominated by fear and superstition and who can find relief only in drunkenness and debauchery.
Following the success of Uncle Lubin (1902), Heath Robinson was commissioned to illustrate The Works of Rabelais. These portray a bleak landscape largely peopled by grotesque peasants and priests whose lives are dominated by fear and superstition and who can find relief only in drunkenness and debauchery.
At our next talk is the story of a family of local builders. Stephen, Joseph, and Charles Woodbridge moved to Harrow and Pinner shortly after 1800 and were soon building small wooden cottages. Charles, in Pinner, became so successful that his son Jason acquired one of its grandest houses, Pinner House. Susan will talk…
Following the success of Uncle Lubin (1902), Heath Robinson was commissioned to illustrate The Works of Rabelais. These portray a bleak landscape largely peopled by grotesque peasants and priests whose lives are dominated by fear and superstition and who can find relief only in drunkenness and debauchery.
