The Pinner Association
– The Voice of our Community
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
Talk by Peter Marcham Bletchley Park, home of the WW2 Codebreakers, was once Britain's best kept secret. Peter’s talk will cover the extraordinary men and women whose achievements helped shorten WW2 by up to two years. Peter, who has lived in Pinner for over 40 years, is Chairman of The Radio Society of Harrow and…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…